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15 COMESTOR LUC ENSEIGNANT ET SON SYMBOLE
15 ERASMUS DESIDERIUS LUC ECRIVANT
15 HEURES LUC ECRIVANT ET SON SYMBOLE 02
15 HEURES LUC ECRIVANT ET SON SYMBOLE
15 HEURES LUC ECRIVANT ET SON SYMBOLE02
  15 LIPPI FRA FILIPPO ST LUKE THE EVANGELIST.jpg - 15 Lippi Fra Filippo St Luke the Evangelist
c. 1454
Fresco
Duomo, Prato

 
Towards the end of his life Lippi had the opportunity to decorate the vast choir of Prato Cathedral with a fresco cycle treating the lives of Saint Stephen and Saint John the Baptist. By this time Lippi had married a former nun and settled in Prato, a town near Florence, where they had a son, Filippino, who became a painter. It took the artist many years to complete this commission, but it was obviously worth the effort. He appears in full maturity here, at a time when he could reach back to his early experiences to create a powerful series that falls into the distinguished tradition which can be traced from the Brancacci Chapel to Raphael's stanze in the Vatican Palace.

Among the four Evangelists he painted in the vault, the longhaired Saint Luke seems like a youthful thinker with his head resting on his left hand and his elbow on his raised knee. This figure belongs to a sculptural tradition that can be found in the early quattrocento with Nanni di Banco and Donatello and is carried on in painting to Michelangelo's Sistine Prophets. Because of the great distance, Lippi was forced to put aside a certain amount of petty detail and abandon his sometimes idiosyncratic light for a more single-minded approach, in this his 'ultima maniera'. 
 
....Web Gallery Of  Art  
15 LUKE PAINTING THE VIRGIN
15 MISSEL ROMAIN LUC ECRIVANT
15 NANNI DI BANCO ST. LUKE AS ROMAN SENATOR
15 SORG LUKE WRITING
15 WEYDEN ST L DRAWING A PORTRAIT OF THE MADONNA

15 Lippi Fra Filippo St Luke the Evangelist c. 1454 Fresco Duomo, Prato Towards the end of his life Lippi had the opportunity to decorate the vast choir of Prato Cathedral with a fresco cycle treating the lives of Saint Stephen and Saint John the Baptist. By this time Lippi had married a former nun and settled in Prato, a town near Florence, where they had a son, Filippino, who became a painter. It took the artist many years to complete this commission, but it was obviously worth the effort. He appears in full maturity here, at a time when he could reach back to his early experiences to create a powerful series that falls into the distinguished tradition which can be traced from the Brancacci Chapel to Raphael's stanze in the Vatican Palace. Among the four Evangelists he painted in the vault, the longhaired Saint Luke seems like a youthful thinker with his head resting on his left hand and his elbow on his raised knee. This figure belongs to a sculptural tradition that can be found in the early quattrocento with Nanni di Banco and Donatello and is carried on in painting to Michelangelo's Sistine Prophets. Because of the great distance, Lippi was forced to put aside a certain amount of petty detail and abandon his sometimes idiosyncratic light for a more single-minded approach, in this his 'ultima maniera'. ....Web Gallery Of Art | 15 LIPPI FRA FILIPPO ST LUKE THE EVANGELIST.jpg
Nombre total d'images: 68 | Dernière mise à jour: 11/02/08 18:17 | Aide