Up Home / Accueil » -Luk-02,01_Birth_Manger_Naissance_Creche Prev Next Slideshow

 Image précédente  Image suivante  Page d'index
15 BELLINI NATIVITY
15 BRUNELLESCHI NATIVITY
15 CLEVE THE HOLY FAMILY
15 DURER NATIVITY B
15 DURER NATIVITY
  15 DURER THE HOLY FAMILY WITH ST JOHN THE MAGDALE.jpg - 15 Durer The Holy Family with St John, The Magdalen and Nicodemus
c. 1512
Drypoint, 216 x 190 mm
Staatliche Museen, Berlin

 
This print is somewhat reminiscent of the Virgin with the Dragonfly, which in turn was influenced by Dürer's only forerunner in the use of drypoint, the Housebook Master. A gentle play of light and shade enlivens the faces of the bystanders, while the Virgin, built of tiny flicks and scratches, has no particular contours at all. Here Dürer, for once, approaches the Leonardesque ideal of sfumato. This is technically the most successful of Dürer's drypoints, but it is remarkable how carelessly he has handled the composition in this instance. Except in a few limited impressions the face of the Virgin is crossed out. It has been assumed that Dürer himself did this out of dissatisfaction with the plate. There remains some doubt in this regard, however. Some of the impressions before the face was obliterated are on paper with the "City Gate" watermark, which, as far as can be determined, was not used during Dürer's lifetime. 
 
....Web Gallery Of  Art  
15 GEERTGEN NATIVITY AT NIGHT B
15 GEERTGEN NATIVITY AT NIGHT
15 ICON RUSSIAN NATIVITY
15 LIPPI FRA FILIPPO ADORATION OF THE CHILD
15 LIPPI FRA FILIPPO NATIVITY B

15 Durer The Holy Family with St John, The Magdalen and Nicodemus c. 1512 Drypoint, 216 x 190 mm Staatliche Museen, Berlin This print is somewhat reminiscent of the Virgin with the Dragonfly, which in turn was influenced by Dürer's only forerunner in the use of drypoint, the Housebook Master. A gentle play of light and shade enlivens the faces of the bystanders, while the Virgin, built of tiny flicks and scratches, has no particular contours at all. Here Dürer, for once, approaches the Leonardesque ideal of sfumato. This is technically the most successful of Dürer's drypoints, but it is remarkable how carelessly he has handled the composition in this instance. Except in a few limited impressions the face of the Virgin is crossed out. It has been assumed that Dürer himself did this out of dissatisfaction with the plate. There remains some doubt in this regard, however. Some of the impressions before the face was obliterated are on paper with the "City Gate" watermark, which, as far as can be determined, was not used during Dürer's lifetime. ....Web Gallery Of Art | 15 DURER THE HOLY FAMILY WITH ST JOHN THE MAGDALE.jpg
Nombre total d'images: 192 | Dernière mise à jour: 16/02/08 07:46 | Aide