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15 LIPPI FRA FILIPPO NATIVITY
15 LOCHNER ADORATION OF THE CHILD JESUS
15 MASTER BERTRAM PANEL FROM GRABOW ALTARPIECE NATIVITY
15 MASTER NATIVITY
15 MASTER OF AVILA NATIVITY
  15 MASTER OF THE ST. BARTHOLOMEW ALTAR THE HOLY FA.jpg - 15 MASTER of the St. Bartholomew Altar The Holy Family
1470s
Tempera on oak panel, 30,5 x 23 cm
Museum of Fine Arts, Budapest

 
The small-size panel obviously intended not for any church but for private devotions in the intimate milieu of a sitting-room is much like a miniature, offering to give pleasure when contemplated at close quarters. The waves of the hair - that of the Virgin undulating softly, that of Joseph more roughly in an elderly manner, the rich golden locks of the Child curling into ringlets - the objects arranged in the foreground to recall a still-life, the carefully delineated veins of the marble balustrade, all evidence this attitude. The faces, particularly that of the Virgin, are definitely of the Dutch type. The colours are gentle, melting into unassuming harmony, the forms are tranquil. The background recalling a goldsmith's work, decorated with pearls and precious stones, greatly contributes to this closed character. Apparently the picture is one of the artist's earliest works, from a youthful period, when the Baroque forms, which later became a fundamental trait of his art, had not yet become dominant. 
 
....Web Gallery Of  Art  
15 NATIVITY B
15 NATIVITY WITH PARENTS
15 NATIVITY
15 NATIVITY3
15 PIERO DELLA FRANCESCA NATIVITY

15 MASTER of the St. Bartholomew Altar The Holy Family 1470s Tempera on oak panel, 30,5 x 23 cm Museum of Fine Arts, Budapest The small-size panel obviously intended not for any church but for private devotions in the intimate milieu of a sitting-room is much like a miniature, offering to give pleasure when contemplated at close quarters. The waves of the hair - that of the Virgin undulating softly, that of Joseph more roughly in an elderly manner, the rich golden locks of the Child curling into ringlets - the objects arranged in the foreground to recall a still-life, the carefully delineated veins of the marble balustrade, all evidence this attitude. The faces, particularly that of the Virgin, are definitely of the Dutch type. The colours are gentle, melting into unassuming harmony, the forms are tranquil. The background recalling a goldsmith's work, decorated with pearls and precious stones, greatly contributes to this closed character. Apparently the picture is one of the artist's earliest works, from a youthful period, when the Baroque forms, which later became a fundamental trait of his art, had not yet become dominant. ....Web Gallery Of Art | 15 MASTER OF THE ST. BARTHOLOMEW ALTAR THE HOLY FA.jpg
Nombre total d'images: 192 | Dernière mise à jour: 16/02/08 07:46 | Aide