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16 GORGIONE ADORATION OF THE SHPEHERDS
16 GOURMONT L ADOR DES BERGERS LOUVRE
16 HISPANUS ANNONCE AUX BERGERS AVIGNONPP
16 HISPANUS ANNONCE AUX BERGERSBB AVIGNONPP
16 HISPANUS ANNONCE AUX BERGERSCC AVIGNONPP
  16 LORENZO DI CREDI ADORATION OF THE SHEPHERDS.jpg - 16 Lorenzo di Credi Adoration of the Shepherds c. 1510 Oil on wood, 224 x 196 cm Galleria degli Uffizi, Florence The painting shows meticulous draftsmanship and technical perfection, but is totally devoid of any dramatic force, the artist having eclectically assimilated influences from other artists - Perugino, Verrocchio and even Leonardo himself. The inspiration from the Adoration of Hugo van der Goes is also evident. The absence of any emotional involvement may be due to the fact that at the end of his life Lorenzo di Credi was a disciple of Savonarola. The figures in his paintings, as in this case, have serious, meditative expressions, are charged with an inner gloom which the painter mitigates only with that small amount of grace allowed in the church ceremony. Only one angel, standing, seems to be engaged in reasoning with a companion on the mysteries of the Birth. St Joseph, leaning on his staff, looks wistfully at the scene, and a shepherd holding a lamb looks to be distracted by something else. ....Web Gallery Of Art  
16 LORENZO DI CREDI ADORATION OF THE SHEPHERDSB
16 LOTTO NATIVITY
16 LUINI ANNONCE AUX BERGERS LOUVRE
16 LUTHER S BIBLE ANNOUNCE TO THE SHEPHERDS
16 MAZZOLA L ADOR DES BERGERS LOUVRE

16 Lorenzo di Credi Adoration of the Shepherds c. 1510 Oil on wood, 224 x 196 cm Galleria degli Uffizi, Florence The painting shows meticulous draftsmanship and technical perfection, but is totally devoid of any dramatic force, the artist having eclectically assimilated influences from other artists - Perugino, Verrocchio and even Leonardo himself. The inspiration from the Adoration of Hugo van der Goes is also evident. The absence of any emotional involvement may be due to the fact that at the end of his life Lorenzo di Credi was a disciple of Savonarola. The figures in his paintings, as in this case, have serious, meditative expressions, are charged with an inner gloom which the painter mitigates only with that small amount of grace allowed in the church ceremony. Only one angel, standing, seems to be engaged in reasoning with a companion on the mysteries of the Birth. St Joseph, leaning on his staff, looks wistfully at the scene, and a shepherd holding a lamb looks to be distracted by something else. ....Web Gallery Of Art | 16 LORENZO DI CREDI ADORATION OF THE SHEPHERDS.jpg
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