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15 WEYDEN PRESENTATION
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16 BANDINI PRESENTATION OF MARY IN THE TEMPLE DETAIL BB
16 BANDINI PRESENTATION OF MARY IN THE TEMPLE DETAIL
16 CALVAERT PRESENTATION IN THE TEMPLE
  16 CARAVAGGIO B THE PRESENTATION OF JESUS IN THE.jpg - 16 Caravaggio The presentation of Jesus in the temple Presentation of Jesus in the Temple 1510 Tempera on panel, 421 x 236 cm Gallerie dell'Accademia, Venice In preparing the altar-piece to decorate the third altar on the right in the Church of S. Giobbe, Venice, Vittore Carpaccio certainly kept in mind the magnificent panel painted by Giovanni Bellini for the same church little more than twenty years before. Compared with Bellini's picture, the marble sections of Carpaccio's niche are even more monumental and the figures more nicely balanced in their perfectly judged movements, including those of the angels intent on playing their instruments, the crumhorn, the lute and the lyre. And each passage of the perfect formal structure is lent firm definition by the light which slants in from the right and strikes cold gleams from the incorruptible pictorial subject. Once again, Carpaccio offers an expression of his humanistic vision through which he measures the visible world on a limpid, reflecting grid of space, colour, light and shade. ....Web Gallery Of Art  
16 CARAVAGGIO THE PRESENTATION OF JESUS IN THE TEM
16 NETHERLANDISH CIRCUMCISION
16 RAFFAELLO THE PRESENTATION IN THE TEMPLE
17 BECHOUT PRESENTATION IN THE TEMPLE
17 BOSBOOM PRESENTATION IN THE TEMPLE

16 Caravaggio The presentation of Jesus in the temple Presentation of Jesus in the Temple 1510 Tempera on panel, 421 x 236 cm Gallerie dell'Accademia, Venice In preparing the altar-piece to decorate the third altar on the right in the Church of S. Giobbe, Venice, Vittore Carpaccio certainly kept in mind the magnificent panel painted by Giovanni Bellini for the same church little more than twenty years before. Compared with Bellini's picture, the marble sections of Carpaccio's niche are even more monumental and the figures more nicely balanced in their perfectly judged movements, including those of the angels intent on playing their instruments, the crumhorn, the lute and the lyre. And each passage of the perfect formal structure is lent firm definition by the light which slants in from the right and strikes cold gleams from the incorruptible pictorial subject. Once again, Carpaccio offers an expression of his humanistic vision through which he measures the visible world on a limpid, reflecting grid of space, colour, light and shade. ....Web Gallery Of Art | 16 CARAVAGGIO B THE PRESENTATION OF JESUS IN THE.jpg
Nombre total d'images: 62 | Dernière mise à jour: 16/02/08 11:19 | Aide