Up Home / Accueil » -Mat-04,18-First disciples _Premiers disciples Prev Next Slideshow

 Image précédente  Image suivante  Page d'index
14 MASTER OF THE BRUSSELS CALLING
14 MASTER OF THE BRUSSELS INITIALS CA
15 A HISTORY BIBLE CALLING OF APOSTLESR
15 A HISTORY BIBLE CALLING OF THE APOST
15 GHIRLANDAIO CALLING OF ST PETER
  15 GHIRLANDAIO D CALLING OF THE FIRST APOSTLES.jpg - 15 Ghirlandaio Domenico Calling of the First Apostles
1481
Fresco
Cappella Sistina, Vatican

 
Vasari wrote: "...Domenico represented Christ calling Peter and Andrew from their nets, and the Resurrection of Christ, the greater part of which is now destroyed, for it was above the door..." Later, the Resurrection vanished completely in the destruction of the wall.

In the early 1480s Pope Sixtus IV brought a number of famous Tuscan and Umbrian artists to Rome in order to decorate his new court chapel, the Sistine Chapel. Ghirlandaio must already have made a name for himself with his commissions, primarily the frescoes for the Saint Fina Chapel, in order to be considered for a task of this importance. The chapel's ceiling would not be decorated with Michelangelo's famous frescoes until the reign of Sixtus' nephew, Julius II. Between 1481 and 1483, the walls of the chapel were covered with frescoes by Sandro Botticelli, Domenico Ghirlandaio, Cosimo Rosselli, Piero di Cosimo and others - probably under the direction of Pietro Perugino.

On the left are scenes from the life of Moses, and on the right scenes from the life of Christ, a typological arrangement that sees Moses as the predecessor of Christ. This cycle of frescoes became one of the major artistic achievements of the Italian Quattrocento. In accordance with the Pope's wishes, in each picture several episodes of a story were presented together, a practice that by this time was already becoming outdated. The two frescoes Ghirlandaio painted were the Calling of Saint Peter and Resurrection. By Vasari's time the second fresco had been largely destroyed and an entirely new version was painted in the 16th century.

The surviving work is divided into two zones. In the foreground, on a shallow stage, Ghirlandaio depicted several groups of people, tightly packed together in rows. At the centre Christ is blessing the kneeling brothers Simon, Peter and Andrew, His first disciples. They follow Him and appea  
15 GHIRLANDAIO DOMENICO CALLING OF THE FIRST APOST
15 GHIRLANDAIO DOMENICO CALLING OF THE FIRST APOSTL
15 GHIRLANDAIO SIXTINE JESUS CALLING PETER
15 NETHERLANDISH MASTER CALLING OF TH
15 WITZ THE MIRACULOUS DRAUGHT OF FISHES

15 Ghirlandaio Domenico Calling of the First Apostles 1481 Fresco Cappella Sistina, Vatican Vasari wrote: "...Domenico represented Christ calling Peter and Andrew from their nets, and the Resurrection of Christ, the greater part of which is now destroyed, for it was above the door..." Later, the Resurrection vanished completely in the destruction of the wall. In the early 1480s Pope Sixtus IV brought a number of famous Tuscan and Umbrian artists to Rome in order to decorate his new court chapel, the Sistine Chapel. Ghirlandaio must already have made a name for himself with his commissions, primarily the frescoes for the Saint Fina Chapel, in order to be considered for a task of this importance. The chapel's ceiling would not be decorated with Michelangelo's famous frescoes until the reign of Sixtus' nephew, Julius II. Between 1481 and 1483, the walls of the chapel were covered with frescoes by Sandro Botticelli, Domenico Ghirlandaio, Cosimo Rosselli, Piero di Cosimo and others - probably under the direction of Pietro Perugino. On the left are scenes from the life of Moses, and on the right scenes from the life of Christ, a typological arrangement that sees Moses as the predecessor of Christ. This cycle of frescoes became one of the major artistic achievements of the Italian Quattrocento. In accordance with the Pope's wishes, in each picture several episodes of a story were presented together, a practice that by this time was already becoming outdated. The two frescoes Ghirlandaio painted were the Calling of Saint Peter and Resurrection. By Vasari's time the second fresco had been largely destroyed and an entirely new version was painted in the 16th century. The surviving work is divided into two zones. In the foreground, on a shallow stage, Ghirlandaio depicted several groups of people, tightly packed together in rows. At the centre Christ is blessing the kneeling brothers Simon, Peter and Andrew, His first disciples. They follow Him and appea | 15 GHIRLANDAIO D CALLING OF THE FIRST APOSTLES.jpg
Nombre total d'images: 77 | Dernière mise à jour: 08/02/08 09:01 | Aide