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| 15 Weyden The Last Judgment Polyptych 1446-52 Oil on wood, 215 x 560 cm Musée de l'Hôtel Dieu, Beaune The Last Judgment polyptych is Rogier van der Weyden greatest work. Together with the Van Eyck brothers' Adoration of the Lamb, this is one of the absolute masterpieces of the golden age of Flemish painting. The enormous polyptych is made up of fifteen panels of different sizes. It was painted by Rogier Van der Weyden and his studio for the "great hall of the poor" in the Hôtel-Dieu in Beaune. This hospital was founded by the fabulously wealthy Chancellor Rolin, and his devout third wife, Guigonne de Salins, for the salvation of their souls and in the hope of storing up treasures in heaven. Work began in 1443. The room was a vast open nave, with a panelled barrel vault for a ceiling, and could contain thirty canopied beds along its two long walls. The polyptych was placed at one end of this space, behind the altar, in a chapel separated from the nave by an "open-work wooden partition", through which patients could follow the divine service from their sick beds. As long as the polyptych hung in the chapel, it was traditional to open the wings on Sundays and solemn feast days. But since it has been restored, it is now kept in a neighbouring room which is air-conditioned to prevent any further deterioration due to the heat generated by the three hundred thousand visitors who come to see it each year. The panels were sawn in half across the thickness of the wood a few years ago, and both front and the reverse are now exhibited simultaneously, side by side. On either side of the central figures of Christ and the archangel Michael, the composition is built up on two levels. Above is a cloud of gold, on which are seated the apostles, judges in the celestial tribunal, as well as a pope, a bishop, a king, a monk and three women. Below them is the earth, from which the resurrected souls emerge, to go either to damnation or to eternal bliss. | 15 WEYDEN THE LAST JUDGMENT POLYPTYCH.jpg |
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